Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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william r clark
robert ohara burke och william wills gjorde den forsta farden fran soder till notr tvars over austealien 1860 and 61.bada dog emellertid av svalt vid

ID: 59322

william r clark robert ohara burke och william wills gjorde den forsta farden fran soder till notr tvars over austealien 1860 and 61.bada dog emellertid av svalt vid
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william r clark robert ohara burke och william wills gjorde den forsta farden fran soder till notr tvars over austealien 1860 and 61.bada dog emellertid av svalt vid


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william r clark

1829-1912  Related Paintings of william r clark :. | charles sturt den australiska utorskningens fader upptackte darlingfloden 1828 och foljde den nedstroms till dess sammanflode med murtay floden. | vikingaskeppen var utrustade flera par aror och segel | stanleys stora och valbevapnade expedition marscherar forbi rader rader av fientliga afrikaner | rekonsteuktion av en handelse under franklins | alexander uon humboldt anvande denna flotte pa guayaquilfloden i ecuador under sin sydaneri kanska expedition 1799-1804 |
Related Artists:
MASTER of the Polling Panels
German Northern Renaissance Painter, active 1434-1450
Floris van Dijck
Dutch Baroque Era Painter, 1575-1651 Dutch painter and draughtsman. He is thought to have been a pupil of Rembrandt in Amsterdam c. 1650. There is no documentary evidence for this, but his earliest dated painting, the Presentation in the Temple shows that he had certainly seen examples of Rembrandt work. He was an eclectic artist, given to following several models simultaneously. This is evident from two versions of Elijah and the Widow of Zarephath; one (1655-60; Copenhagen, Stat. Mus. Kst) is painted in horizontal format in the style of Barent Fabritius, while the other (1655-60; Milwaukee, WI, A. Bader priv. col., see Sumowski, 1983, no. 362) features large half-length figures in the manner of Nicolaes Maes. In another biblical scene, Benjamin and Judah (1655-60; Chicago, IL, A. Inst.), he followed the example of Rembrandt. His best works, such as Saying Grace (1655-60; Hannover, Nieders?chs. Landesmus.) and the Old Prophetess (1655-60; Leipzig, Mus. Bild. Kst), show old women either praying or sleeping and confirm that Maes was his main source of inspiration. Similar subjects are represented in the drawings attributed to him (e.g. Old Woman Seated, Holding a Book; New York, Pierpont Morgan Lib.). In the late 1650s van Dijck also seems to have been influenced by the genre paintings of Gabriel Metsu and above all by Quiringh van Brekelenkam, as in Hermit Praying in a Cave (late 1650s; St Petersburg, Hermitage) and Family Saying Grace (late 1650s; Stockholm, Nmus.).
Carl Olaf Larsson
1853-1919






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